Three Guns for New York
Paroled
bank robbers from New Mexico think McCloud took off with their $400,000 twelve years
before. They kidnap Chris Coughlin, shoot two FBI agents with McCloud’s .45
Colt Frontier Six Shooter, and force him back to Taos after the money.
High Noon
The
subtle and elusive theme is paranoia. Chief Clifford tells McCloud not to sound
so paranoid, he’s getting to be a real New Yorker. Between High Noon and
the one about paranoiacs who aren’t imagining things, this is a surreal
treatment of “Butch Cassidy Rides Again”.
Great
glowing night exteriors, as McCloud and Grover (or rather Broadhurst, who lets
Grover off the hook) are on night burglary detail, which tends to interfere
with your dinner engagements. No-one wants to be on stakeout with McCloud
because he will “make waves”.
There
is a large-scale suite of movements back and forth from New York to
Albuquerque, which the script dissolves in some lightly parodistic material
(McCloud in disguise looks like Father Guido Sarducci in mufti). A flashback to
the robbery twelve years earlier is handled as if it happened “only yesterday”.
McCloud
is badly beaten by the crooks (and ruins the Broadhursts’ anniversary
celebration at the ballet), while later on he has to feign acceptance of the
kidnap demands.
The
moon always photographs smaller than it appears, so Kessler zooms out from a
close-up of it and back in to the Broadhursts’ skyscraper apartment building.
His dreamlike conclusion at the ghost town resembles Zinnemann by way of
Eastwood.
McCloud
deduces that one of the crooks has hidden the loot and is trying to distract
the others. The main course of action (touched on by Bullitt) is between
the diurnal world of women and the nocturnal one of senseless violence, or is
it?
Neville Brand Burl Connors |
Written by Jeff Sharkey Directed by Bruce Kessler |
43309, 11.23.75
McCLOUD: We’re just as good friends as fleas on a two-dollar dog.
CHRIS COUGHLIN: What can we do at lunch besides eat?
McCLOUD: Well, I guess I’ll just have to oblige the lady.
CHRIS
COUGHLIN: There ya go.
CHRIS COUGHLIN: (Affecting a Western drawl.) Sam, I’m
gonna feed ya, then I’m gonna head ya back to my corral and straighten ya out,
‘cause there’s no doubt about it, ya’ve been in the
saddle too long.
McCLOUD: There ya
go.
CHRIS COUGHLIN: Sam, you never walk out on a waiter
in New York!
McCLOUD: Aw...
just order for me, would ya please? (Exits.)
CHRIS
COUGHLIN: (To the waiter.) Ahhhhh,
he’ll have an order of Mexican jumping beans, and a glass of prune juice.
Please.
McCLOUD: They can tip us, and then tip them that they tipped
us.
VAL RANKIN: Listen, I know Burl’s crazy, but this’s gotta be insane.
WILSON: Well, he wouldn’t be the first good cop who walked off
with the cookie jar.
EDMONDS: As far as my department is concerned, McCloud pumped six
shells into two of my men, and it’s no holds barred.
CHIEF
CLIFFORD: The New York City Police Department does not condone lynch
mobs, City or Federal.
CHIEF CLIFFORD: (On intercom.) I want an
APB. Samuel McCloud.
ASSISTANT: McCloud?
CHIEF
CLIFFORD: You heard me. You have his description.
CHIEF CLIFFORD: If you do anything that rubs
off on anybody in this department...
CHIEF CLIFFORD: I hear there are people in this
country that just don’t like cops.
(Broadhurst is reluctantly covering for McCloud.)
DET. SIMMS: Look Joe, he’s your friend. If you should run into him, tell
him the Federal boys are after him.
DET.
POLK: They may not be as polite as our guys. Tell him it’d be a good
idea if he turned himself in to the Chief.
DET.
SIMMS: A hell of a good idea.
SGT.
BROADHUST: Yeah.
McCLOUD: Good question.
CHIEF
CLIFFORD: Well, thank you, McCloud. I pride myself on asking good questions.
I hope that buried somewhere in that head of yours is a good answer.
CHIEF CLIFFORD: If only once, McCloud, you’d have
come to me instead of running off half-cocked! If only once you’d have gone by
the book and told me the facts, none of this would have had to happen!
McCLOUD: Would ya
have believed me if I’d ‘a told ya?
CHIEF
CLIFFORD: Believe you? How could I?
McCLOUD: Well,
there ya go.
(Main Street, ghost town, New Mexico.)
McCLOUD: Chris, I told ya to skedaddle!
CHRIS
COUGHLIN: If I had, you wouldn’t know where the money is.
McCLOUD: I’ve got
a confession to make. I don’t know where the money is.
CHRIS
COUGHLIN: I do.
McCLOUD: You do?
(They kiss.)