The Adventures of Bob & Doug McKenzie: Strange Brew
Canada’s
brain drain is a trapdoor letting out all its geniuses to save production
costs. MGM serves as a springboard for Thomas and Moranis to make a film in
Canada that’s a work of genius.
It opens with the
premiere of Bob & Doug’s film, The Mutants of 2051 A.D., which
serves several purposes, the most important being it gives everybody a thorough
hosing (it also sets the sci-fi tone and prefigures Spaceballs).
The cinematic
situation in Canada is represented as a shortage of beer. Bob & Doug are
about to drink the beer and dog food out of Hosehead’s dish, but they
wind up working at Elsinore Brewery. As they enter, Doug (Dave Thomas) does a
subtle variant of Bob Hope’s walk. They tussle in a corridor on their way
to the interview.
Brewmeister Smith
(Max von Sydow) is first seen using his private washroom concealed behind a
global map of his enterprises. Von Sydow applies a touch of Alec Guinness in The
Ladykillers, stays en règle as a Canadian science-fiction villain,
and there you are. As his lackey, Claude Elsinore, Paul Dooley wears brown shoe
polish on his hair and eyebrows, with just a touch of feathering at the sides
of his brow. Angus MacInnes with combed-back hair and a wide mustache is also
homegrown.
The story is a modification
of Hamlet, arranged after the manner of, say, Abbott and Costello
Meet Frankenstein (with very strange echoes of Barbarella), but
filmed very quietly as though it were a Canadian science-fiction film ca.
1960. Brewmeister Smith wields a tranquilizer gun, and controls a hockey game
of live players in vaguely Star Wars costumes, black vs. white, like Spy
vs. Spy rugby on ice. He’s taken over the business by killing Pam Elsinore’s
father, etc.
Von Sydow and Dooley
disguise themselves as Doug and Bob, respectively, armed with tranquilizer
guns. They sever the brakes on Bob & Doug’s van, which speeds down a
hill and into the bay. The police look on, there is a dissolve to indicate the passing
of time, divers are sent down to extricate the bodies. The van is at the bottom
and filled with water, but Bob & Doug have survived by drinking beer. A
diver taps on the driver’s side window, Doug puts down his beer with a
typically troubled face, rolls down the window, takes out his wallet and shows
his driver’s license (the entire gag rivals the underwater saloon fight
in Top Secret).
“BEER
HEIRESS SNATCHED”, reads the headline, in an homage
to Leslie H. Martinson’s Batman. Bob & Doug are framed for the
crime, their lawyer uses kung fu on the press, they’re
committed and, wearing pajamas and straitjackets in a padded cell, roll around trying
to pummel each other. Later, during a supervisory lapse, they have fun giving each
other electroshock therapy, and finally they make their escape with Pam, who is
trapped by Brewmeister Smith in a beer storage tank with Bob (Rick Moranis),
who drinks it all in an homage to The Drowning Pool and bloats up like the
whore in Fellini’s City of Women.
The hockey players
revolt, Brewmeister Smith dies impaled on his map (its situation lights are
lasers), and his evil plot is foiled by Superhosehead.