Filmstudie
The function of
cinema is to fill the eye.
Vormittagsspuk
Bosquet: Can the mystical reside in a hat?
Dali: It always resides in hats.
Entartete
Kunst, said the Nazis, and so
Hindemith’s score was lost.
Dreams That Money Can Buy
The habiliments
of desire (Ernst), “The Girl with the Pre-Fabricated Heart”
(Léger), the hidden mystery of art (Ray), the gangster’s mystique
(Duchamp), Calder’s “Ballet” and “Circus”,
Richter’s “Narcissus”.
Dadascope
“The ear is the sure clue to him: only a musician
can understand the play of feeling which is the real rarity in his early plays.
In a deaf nation these plays would have died long ago. The moral attitude in
them is conventional and secondhand: the borrowed ideas, however finely
expressed, have not the overpowering human interest of those original
criticisms of life which supply the rhetorical elment in his later works. Even
the individualization which produces the old-established British speciality,
the Shakespearean ‘delineation of character,’ owes all its magic to
the turn of the line, which lets you into the secret of its utterer’s
mood and temperament, not by its commonplace meaning, but by some subtle
exaltation, or stultification, or slyness, or delicacy, or hesitancy, or what
not in the sound of it. In short, it is the score and not the libretto that keeps
the work alive and fresh; and this is why only musical critics should be
allowed to meddle with Shakespear—especially early Shakespear.”
(G.B.S.)
“One of the most purely lyrical of French poets,
Verlaine was an initiator of modern word-music and marks a transition between
the Romantic poets and the Symbolists. His best poetry broke with the sonorous
rhetoric of most of his predecessors and showed that the French language,
everyday clichés included, could communicate new shades of human feeling by
suggestion and tremulous vagueness that capture the reader by disarming his
intellect; words could be used merely for their sound to make a subtler music,
an incantatory spell more potent than their everyday meaning. Explicit
intellectual or philosophical content is absent from his best work. His
discovery of the intimate musicality of the French language was doubtless
instinctive, but, during his most creative years, he was a conscious artist
constantly seeking to develop his unique gift and ‘reform’ his
nation’s poetic expression.” (Encyclopædia
Britannica)