3 Nuts in Search of a
Bolt
There are more
stories in Hollywood than in The Naked
City, as the saying goes, this is three of them.
Nunnally Johnson is
the basis of the telling, out of the hills onto a psychiatrist’s couch with
triple schizophrenia, which is to say the one about the stripper who hates men
and the male model who hates women and the car salesman with a bothersome
conscience who share a posh house above L.A. (cf. Richardson’s The Loved
One) to save money and all chip in for an out-of-work actor (the director
as himself, Method, “aside from acting, which I do best of all, I do other
things, I do imitations, I play the piano, the drums an-an’ spoons”) who takes the job of presenting
their case histories to a Beverly Hills shrink at cut rates, twenty minutes
per.
And that’s
Hollywood, where unemployment happens “sooner or later”.
The angry
bartender, after a closed-circuit TV hookup goes out across the country from
Denver, “what the hell—the same thing on
every CHANNEL!”
A jealous trick
cyclist, “when I wanted to go to Hollywood, who
was it that stopped me? Who? Who?”
“Don’t be greedy,
darling, you still have the jet set—”
“Talk about exposure! Zow-IE!” Mamie
Van Doren in her bath, “so meanwhile, I’m stuck with
all this BEER!”
Katz the “exploitation”
producer, “I wanna buy the picture rights. This’ll be
bigger than The Three Faces of Eve!”
“Wow! Did you do that?”
“I’ll get Ingrid
Bergman to play you... wait a minute, wait a minute, wait a minute, wait a
minute—I’VE GOT IT!”
“You want a Bufferin?”
Dr. Myra Von’s private secretary (T.C. Jones).
The stripper wedded
fair. “Now, why should a thing like that make me so happy? Boy, do I need analysis.”
The purloining of
randy dowager Mrs. Berkeley-Kent’s jewelry at the Club Intimate run tyrannically
by British Mr. Blyth figures in Russ Meyer’s Finders keepers, Lovers weepers! as well, here perhaps from Dassin.
A drunk walks into
the club, “well, I’ve heard of intimate bars, but this is ridiculous!” A
certain tribute to Jerry Lewis is repaid in Cracking
Up.