Angel’s Flight
A place razed out
of existence, Bunker Hill, writes its own poem.
Millard Sheets
painted it, Nassour & Richardson film it.
The
“classical bitch’s eye” (More Pricks Than Kicks) of a local girl turned
vengeful stripper is exposed in hypostatically lyrical close-ups, technically
extreme (cf. Douglas Hickox’s Sitting Target).
Clint
Eastwood picks up the theme in Play Misty for Me (the painter) and Sudden
Impact (the rape).
Police
have a theory, a jealous man is razoring ladies’ men
on the hill. Swarthy Mexican types fill her portraiture.
Beside
the 3rd St. tunnel, you take the journey to Olive St. and a drinking
fountain and phone booths directly opposite the Angels Flight Cafe, viewed from
an upper floor window next to the top entrance where an alcoholic ex-writer
shakes off a massacre in Haifa and the accidental death of his wife.