Captain
Pirate
Dr. Blood of
Jamaica (Captain Blood, dir. Michael
Curtiz) treats runaway slaves and is seen plundering Spain, Britain’s
ally against France, he is to wed the Lady Isabella.
The subtlety of this
composition is exactly picked up by Charles Lawton, Jr.’s
Technicolor cinematography in setups by Murphy on designs by George Brooks, and
in turn reflected in George Duning’s score.
A savor of
Huston’s Key Largo, on the way
to Hitchcock’s To Catch a Thief.
Leonard
Maltin, “good-enough”. TV Guide,
“justice triumphs.” Hal Erickson (Rovi), “above-average”. Question of silencing the witness. “What did they say,
lassie?” Lady Isabella shakes her head. “Politicians!”
The summoning of the pirate crew displays Murphy’s originality in a
montage that figures later in The
Magnificent Seven (dir. John Sturges) etc. and The Sting (dir. George Roy Hill). The taking of the British ship is
a brutal affair conducted very calmly by him, his attention is to the business
at hand and not to any superficialities of action (he has Lloyd’s Mutiny on the Bounty for Captain Evans
let live).
At the light-o’-love’s
tavern in Martinique, a musical number prepares The Pink Panther (dir. Blake Edwards). Her death at the hands of a
generous amour similarly anticipates Goldfinger (dir. Guy Hamilton), and in general
Murphy looks ahead a decade or more.
“The
great slave liberator! Well,
let’s see you liberate yourself from this.”
The motif clearly expressed in a Martinique fistfight is divide and conquer.
The supreme
elegance is a quintessential certainty, Spanish gold and slaves, from the
outset.
“Ah, you
should have been a statesman.”
“Oh
no, too dangerous. In our
profession we live longer, also better.” The offer of a royal pardon plays
upon Hayward’s resemblance to Welles and is from Reed’s The Third Man (the Spanish flag at
Puerto Bello is a variant of Walsh’s Captain Horatio Hornblower the year
before).
“But, unfortunately,
pirates have more respect for cannon than precedent.” Halliwell’s Film Guide, “plenty
of high spirits.” And so, Captain Peter Blood defends Spain against France
and preserves the alliance from a traitor as well as a usurper.
“From now
on,” says Mrs. Blood of Jamaica, “all his orders are for me.”
Taken
to the Cleaners
The Many Loves of Dobie
Gillis
Thalia the money grub, who must have proper financial
arrangements before a date with Dobe, cuts herself in
on a phonybaloney dry cleaning racket with “hot
clothes”, only to monopolize the reward for belatedly spotting the
crooks.