The
Case of the Irate Inventor
Perry Mason
A bewitching
teleplay with a humorous relation to Lubin’s Impact grows in
interest to the end and beyond, owing to its Gogolian manifestation of plot as
testimony and anecdote, some of it false.
The invention is an
anti-collision device in its rudimentary stages, operating with radio waves and
therefore unusable in flight. The inventor leaves his unfaithful wife and
returns in time to resume his business partnership by a fixed date or be bought
out, only to find her dead in his electronically-locked workshop, and it set
ablaze.
The woman next
door is wise to the wife’s infidelity, even horns in on the young Caltech
grad who’s being fed the invention piece by piece “to sustain his
interest”.
Mayer’s
direction is very refined, adopting a general POV near Mason sitting in the
partner’s office while he negotiates on behalf of his client, panning and
tracking a little for vantage as his interlocutors address him variously.
Illusion
Mission: Impossible
Two rivals for
East Germanic security chief eliminate each other in favor of a friendlier
type. Cinnamon and Rollin revive the cabaret act whose star drove one of the
two to murder. The other is set on the trail, and they collide fatally.
Cinnamon’s
three songs (as Mona Bern) have lyrics by Bruce Geller. A Dietrich ballad
begins and ends,
If you buy my glass of wine, |
Destry Rides
Again is evoked with,
But to show where my
heart is, Though I do love my
garters, I’ll make you a
present of these: My two stockings may
fall, For I do like you
all, ‘Cause I heard
nobody knocking my knees. |
and,
‘Cause no
matter where you are There’s a lady
‘bove the bar Who’s wearing
nothing much at all except a frame. |
The tunes are by
Lalo Schifrin and Herschel Burke Gilbert & Rudy Schrager.
Orpheus
Mission: Impossible
The center of
this teleplay full of “central offices” (Central Committee, OBQ
Central, Neurological Center) is Albert Paulsen’s performance as a
security chief in the Eastern Zone, a skillful bureaucrat and not an ideologue.
He is keen on determining the validity of a defection, which undoes him.
When Phelps goes
over as a drug addict named Cochran, the torture of withdrawal elicits from him
the code name Orpheus for a double agent, who is gleefully identified by the
security man with his own top secret assassin.
Valerie (Jessica
Walter) applies pressure as an upper-echelon controller searching for a double
agent in the security setup. To clear himself, the chief must contact the
assassin, who meets Paris in disguise. The bomb in Dr. Tratzmer’s office
is discovered, the assassin is arrested.
Between them,
Playdon and Mayer concoct various striking images, a photo of Cochran with a
bowl of milk and the security chief’s cat on it (Rusty), Cochran’s
hand clutching a hypodermic needle and held to the floor by the chief’s
foot, the Eastern Zone doctor stepping away on Valerie’s orders when
Cochran’s reward is to be administered.
My Friend, My Enemy?
Mission: Impossible
Paris is seized
upon during a vacation and interrogated to learn the identity of his
“control”. That fails, so he is subjected to a form of mind control
depending on a transmitter and a needle in his brain. This administers three
levels of pain.
His dossier
reveals a magician in Amsterdam who was to teach him everything, only the lady
assistant provoked the master’s jealousy and he shot her during a trick,
instead of the playing cards and balloons.
A girl is found
to stir old memories (a defector, Paris thinks, between headaches). Phelps is
supposed to have killed her, and she really is dead. Paris snaps out of it
before accomplishing the enemy’s purpose by means of a stratagem well
known to the IM Force.
Butterfly
Mission: Impossible
An American
businessman is framed for the murder of his Japanese wife by her brother, who
kills her with a knife. The purpose of this is to scuttle the New Economic
Treaty Council, of which the accused had been the chairman, and stop the
signing of a treaty. Also, the murderer scorns “mixed blood”.
The crime is
committed in the garden of the brother’s walled home, whence he plans to
rule Japan one day. An outdoor jujitsu match entertains guests, brother and
sister walk in the garden, he kills her, letting the husband discover the body
and be chanced upon by another guest, a police inspector.
Paris replaces an
invited Kabuki actor at the next gathering. His performance serves as a
preparation for his later disguise as the murderer (Nimoy as Dhiegh), joined by
Dana in the garden for a re-creation filmed by Barney from afar and peddled by
Dana as a snoop photographer’s blackmail.
A very delicate
game is played to mount in the consciousness of the brother a nervous
anticipation of the film’s content, so that in the presence of the police
inspector, tailing the blackmailer, it should be withheld from screening for
fear of its revelations. This is enough to cast doubt on the future leader, the
film is blank beyond its first frames of a walk in the park, though he knows it
only after seizing the reel from the projector before witnesses.
Willy trains
rapidly in jujitsu (he is a judo man) to go three minutes in a challenge match
at the estate as a diversion for the filming (Phelps is his manager).