The
Plow That Broke the Plains
Cattlemen fed the
nation and brought pioneers who farmed the land. The Great War increased
production and brought speculators over every inch of land.
The rains failed.
The Dust Bowl was a Sahara of “high winds, and sun”. Lorentz ends with the
immediate problem.
He begins with a
history and a text, “this is what we did with it.”
It was extremely
fortunate that the Resettlement Administration found him, his cinematographers
and his composer. The high, distinct poetic style and direct witness are
already redress, a measure of topsoil and the voice of reason.
Otis Ferguson of The
New Republic famously opined that it was really meant for the
“experimental-amateur” set. Frank S. Nugent of the New York Times, an
entirely lucid observer, was already referring to it as “splendid” when he
reviewed The Fight for Life.
The
River
Each of the next
two films Lorentz made takes up a note from the one before, here it is erosion
as a massive study, again following on a history of the area, “two-thirds the
continent”.
What was implied
in The Plow That Broke the Plains is demonstrated here, a complete
assessment of the disaster and plans already working to remedy it.
Nugent gives an
extensive selection of text in his review that also demonstrates vividly the
poetic force of the writing, where every drop of water in the entire area makes
its way to the Mississippi.
Variety thought it meandered.
The
Fight for Life
The note here
from The River is the terrible poverty inflicted on a land essentially
rich.
Bergman’s Nära
livet follows this in due course, Nugent’s brilliant review in the New
York Times says much.
The film deals
directly with childbirth mortality as undiminished in a quarter-century, and dramatizes
a relief clinic run on the principle that the best scientific knowledge must be
brought down to cases.
The style is as
straightforward as an Army training film on matters of life and death. A woman dies
after giving birth, the doctor questions the result, receives further training
at the clinic and saves a mother in similar circumstances.