The
Mercenaries
Mission: Impossible
A
rampaging private army in equatorial Africa liberate a fortune converted to gold bars and kept in a
small, tall vault at the Banque de la République next to their
headquarters.
The splendid
apparatus devised by the IM Force is administered with a drill through the
floor of the vault. Radiating arms heat the chamber to 2200°, melting the gold
down into a nozzle and poured out as recast bars in a mold. A spinning paint
wheel covers all traces.
Phelps and
Cinnamon are gunrunners undercover as the Light of Africa Mission, purveying
Bibles. Rollin is a mercenary who’s been there before. He leads the
commander to his cache of gold, the army finds its fortune missing, en route
to Tangiers via the missionaries.
The Controllers
Mission: Impossible
The enemy has a
drug, B-230, administered as a pink gas by means of which, as Phelps puts it,
“human will is suspended,” except the bugs haven’t all been
worked out, after a short space of smiling acquiescence the test subjects become
catatonics. Research proceeds apace under Dr. Turek’s supervision.
Col. Borodin has
another idea. Two American scientists, Arthur and Vera Jarvis, are brought over
after plastic surgery to defect and solve the problem. Phelps and Meredyth
replace them, offering Voliticon as a rival ministration.
The Deputy
Premier oversees the allocation of research funds, a bitter tussle is underway
between the programs. Vera inclines toward B-230, Dr. Turek enlists her
support. Arthur is drugged, shoots Col. Borodin, puts his body in the trunk of
his car and drives himself over a cliff. Borodin is only sedated, the accident
doesn’t happen, the idea is to put Jarvis on trial and implicate Dr.
Turek in his defense, with Paris as military counsel.
The plan fails
when guards shooting at Phelps’ speeding car hit Col. Borodin in the
trunk and kill him. Now there is no way to proceed, as Barney points out.
Phelps at work is shown by Krasny in a close-up of his writing hand, a shot
which continues along his arm to a thoughtful face. The eureka calls for
“literary” work by Meredyth, without a witness (Borodin) there must
be other evidence, Vera’s diary of her love for Dr. Turek.
Barney makes an
intrepid daytime ascent of the guarded water tower with the B-230 powder
extracted by Willy from its vault with a drill, Ben Franklin’s long arm
and a vacuum apparatus. The entire facility is immobilized.
The military
tribunal has put Vera and Dr. Turek in cells next to Phelps’. The doctor
is told the B-230 is to effect his escape. On the run, he is shot down by the
Deputy Premier’s guard, summoned for this purpose.
The IM Force make
off with a young test subject, Katherine, before her final treatment.
The Crane
Mission: Impossible
The Globe
Repertory Company plays a construction crew doing road repairs at the
intersection of Palace and Lantern. With squibs and charges an attack is staged
on an armored prison van. The prisoner is freed, drugged, lifted above the
street in a crane bucket and left there like a purloined letter. He is Konstantin,
head of the People’s Republican Army in revolt against the military junta
ruling Logosia.
A meeting is
arranged in the basement of No. 7 Parthenon Street, where evidence is found
implicating General Kozani’s second-in-command, Colonel Strabo, in the revolt.
Col. Strabo,
leading the search, is induced to another meeting in Zeno Square. He is
captured, drugged and made-up to resemble Konstantin. Gen Kozani arrives with
an offer of peace and Strabo’s execution.
Strabo unmasks,
repeating Kozani’s own words, “when a man is out to kill you,
there’s only one way to defend yourself.”
The Killer
Mission: Impossible
A hit man with an
unknown employer and target arrives in Los Angeles, sent by
“Scorpio”, the top man for the mob in the whole region. The
assassin acts spontaneously based on chance, to avoid detection. He picks a
hotel at random in the phone book, and takes the second of two cabs outside the
terminal, the one driven by Paris not Willy.
During the
advertised fifteen-minute ride, a blank hotel is given appurtenances making it
the Hotel Bower, as named to Paris. This requires twenty minutes of stamping,
sewing, printing, painting and silkscreening, with a contingent of operatives
under Barney’s direction. Willy ekes out the time with two diversions.
At the hotel
desk, a pair of dice he carries with him furnish the assassin with a room
number, 7, which he’s given by Phelps while Barney swiftly numbers rooms
so that the one prepared is now Room 7.
A courier is
intercepted and replaced by Dana. The target, head of a construction
workers’ union, is replaced by Barney in his suite at the Knickerbocker
Hotel. The method of assassination is determined by a throw of dice just
before.
Dana as the
courier is gunned down just before paying off for the successful hit (which
nearly gets Barney, instead of a lifelike dummy, but for Phelps’ quick
deduction). Her dying words assign the responsibility to “Scorpio”.
The hit man takes
Willy’s cab to the hills for vengeance. The two men kill each other, a
bookplate identifies Alfred E. Chambers, the dice on the carpet show snake
eyes.
Force of Waves
Hawaii Five-O
McGarrett is
blown up on a boat in the yacht harbor. The target is his host, a wealthy man
divorced and newly-married to a young wife.
It’s
happened before, once in Maui, once in Singapore, the same type of victim.
A friend of
McGarrett’s has strange memory lapses, can’t remember his trips to
Maui and Singapore over the years. His father left his mother under similar
circumstances.
The two friends
work occasionally on McGarrett’s boat, a landlocked tub of a motor
cruiser in sad disrepair, willed by an elderly Chinese gentleman.
The Amateur
Mission: Impossible
The amateur is a
tavern proprietor who stumbles into an IMF operation and sees his chance to make
a fortune.
A
Ransdorf-Dornberg bicycle race is the way out. Sherlock Holmes’ advice is
followed, the prototype rocket-laser is dismantled in several pieces. Dana has
the guidance unit, it’s purloined by the amateur.
A sustained
central performance by Anthony Zerbe, who had earlier played a top-level
operative and a security chief, actually serves as a foil to a carefully
prepared turn at the end.
A police
detective collars the entrepreneur and delivers the epithet, while the
Impossible Missions Force soars out of sight.
The picture even
includes Father Bernard of “the Western spy apparat” with a list of
all its operatives in the area.
“Outmoded”
is how the detective describes his murder suspect’s Luger.
Encore
Mission: Impossible
An old gangster
falls asleep in a barber’s chair and wakes up in the Thirties a young
hoodlum, thanks to a ploy by the IMF out of The Taming of the Shrew.
Every sweet detail is in place, Casey is his girl, he gradually accedes to it,
especially as his face matches everything else.
The same
circumstances lead to the same murder and the same place for the body, which is
found by the IMF after three decades.
William Shatner
has the virtuosic role, which he plays as an old man suckered by medication and
makeup into believing the fantastic lie, an expansion on the dreamlike
suggestion given to Wilfrid Hyde-White in a re-creation of his former décor at
home with a visit from Hitler (Season 2, “Echo of Yesterday”).
The Tram
Mission: Impossible
The image depends
on the mountaintop retreat reached by an aerial tramway, where two crime bosses
in partnership hold a convocation of their fellows.
The proposal is to create a holding company that will funnel cash to South
America, with profits to be distributed by shares.
The IMF call one
partner away with a ruse and hold him for ransom at the hands of Casey and
Willy as hirelings of the other, who descends to pay them off. But the bird has
flown with a tale to tell, and when all are assembled once again at the
retreat, the investors’ money is gone from the safe. Naturally the
kidnapping is thought to have been a ruse, and the affair ends with a shootout
between the rivals on the tram and in the lower station.
Krasny filmed his
exteriors in and around the Palm Springs Aerial Tramway, with a script that
makes expert use of the locale.
Bag Woman
Mission: Impossible
A murderous and
“highly-placed political figure” with an office in Los Angeles
takes bribes from the syndicate to let them operate “openly in a Western
state”. He ups his price, the mobster who pays him under loose Chicago
supervision sends him a bomb in the bag.
A well-laid,
secure plan goes completely awry. Casey is the bag woman without a clue, Barney
undercover is found out and wounded, Willy tailing the drop loses his way by
accident, Phelps minding the store has to think fast in a pressing situation.
He nixes the
bomb, presenting himself as the man from Chicago, tails the henchman, discerns
the address and sends Willy in to collar the man known only as
“C6”.
Imitation
Mission: Impossible
The fictional
country of Marnsburg supplies the fairy-tale element of this piece. An American
crime mistress steals the crown in a dazzling daylight assault on an armored
car in a residential street (her gang is armed with armor-piercing shells).
The IMF give her
to understand the crown is a fake sent out as a diversion. Barney is a friend
of the lady’s brother, who recently died in prison. She joins forces with
him to snatch the real crown, a fake planted in the Marnsburg consulate.
Everything depends
on understanding the lady’s mind. Sure enough, she switches the crowns
once both are in her hands, the IMF has the real one, her mob creditors close
in, followed by the police.
The unusual
casting limits Pernell Roberts to a surly presence as her aide (and Thalmus
Rasulala similarly as a henchman), and Charles McGraw to a cameo as a mob boss.
Barbara McNair plays the “gutter trash” with a façade.
Revenge and Remorse
Police Squad!
A classic tale of
a courtroom bomber for a judge, the defense attorney in the case goes up in his
car.
The suspect is on
parole, divorced with a mistress at the Club Flamingo.
The ex-wife is a
charity donor to excess, the “cleaning” motif is very strong early
on.
The parolee has
season tickets to the Milwaukee Brewers across the state line, that’s his
illicit alibi.
Justice for the Innocent
Two Fathers
In this sequel to
Holcomb’s Two Fathers’ Justice, the steelworker (Robert
Conrad) has lost his job and home, his wife is dead. “Nothing works in
America,” he says when the drug-dealer who murdered his daughter on her
wedding night escapes from prison, “so why should the justice
system?” The millionaire (George Hamilton) has it all and then some, still
a meaninglessness pervades his life since the murder of his son, the
bridegroom.
They catch the
dealer once again, just before he leaves the country with his millions
converted into gold right under the noses of the FBI.
Krasny’s
late style is refined and perfected to an astonishing degree, he conveys the
rich man’s home by a curtailed shot of interior volume, the speeding
train at a rendezvous is abstracted as mass.
Hamilton and
Conrad slip into their characters easily, the four actresses in important roles
reveal exactly the same naturalness and realism set by Krasny, perfectly.