Victoire de la vie
The order is to evacuate
Madrid, partly in ruins.
The Fight for Life, Pare Lorentz calls his film on reducing infant mortality
(La Centrale Sanitaire Internationale is, in this instance, the sponsor or commissioning
agency). Buñuel has his Terre sans Pain
on Las Hurdes to make the point more furiously still,
defying the Fascists.
Co-directed
with Herbert Kline.
Medical supplies
are as scarce as food, circumstances also require mobile
surgical hospitals at the front. The wounded are treated and evacuated
speedily.
Several nations
participate in the treatment of soldiers, “from murdered Spain” the
appeal is made, an SOS around the world.
A
village fiesta on the first anniversary of its hospital.
Children
of Spain, “so menaced, so alive.”
One recuperates
by the sea.
Reading and writing
are new accomplishments for many.
Back
to the front.
L’Espagne vivra
An appeal for Secours Populaire, comprising a
brief history of the Spanish Republic and an account of the Spanish Civil War
in which Italy and Germany loom large, Britain and France hardly at all.
A cogent, lucid
film made to solicit pennies for the milk fund, an invaluable précis.
It’s after
Munich, after Czechoslovakia, but before Poland, before France. Sadoul and
Cartier-Bresson translate Mussolini and the pertinent passages in Mein Kampf, draw
maps, shoot pictures, everything you can think of and then some, Britain and
France were shortly in it, a lot more than milk money had to be scraped up.
Le Retour
End
of the war.
Prisoners all
across Europe, set free by the advancing Allies.
They die for days
at Dachau, dwindling. Millions walk the length of the Continent, East or West, some ride in empty munitions trains, many, many
thousands (by American Transport Command) in C-47s.
John Swope
photographed this sort of thing, Cartier-Bresson has immense amounts of footage
assembled in thirty minutes’ time with fine narration in French and a
tale to tell that also is French, at the very end, repatriation (cf. Renoir’s Le Caporal épinglé).
For Les Services Américains d’Information.