Lo Zio Indegno

The extreme danger of this film is fairly broached, and leads by a series of small detonations to the Mt. Rushmore carving of Gassman on the witness stand, revealing the poet as sine qua non.

The comprehensive construction is, for example, largely built on Zorba the Greek, modified in the direction of Baudelaire's Le Vin (this is achieved alchemically via Montale and Mallarmé), You see the mind at work in some asseverations here or there, and are given the poet's appeal.