A narrative, describing “the effect that it produces” and an offstage drama.
The effect of photography, lighted and placed.
A “cinematic blossoming” like a regular cadence at the end of every film spool, therefore a grammar of sorts.
“Ma maison est une maison de jouissance,” says Gauguin in Tahiti.
Outer and Inner Space
This is the sort of automatism Warhol practiced in view of a very precise end, as in the Camouflage paintings which give the effect of dozens of famous painters merely by varying the colors on G.I. camouflage patterning.
Here, two screens show Edie Sedgwick and herself side by side for a while, and what you get is a Picasso.