Beautiful Dorothy
The sun overwhelms the town with its strict and terrible light;
the sand is dazzling and the ocean sparkles. The stuporous world sinks limply
and takes a siesta, a siesta which is a kind of tasty death where the
sleeper, half-awake, tastes the pleasures of his annihilation. Meanwhile Dorothy, strong and proud as the sun is, goes along
through the empty street, the only living person now under the immense blue,
making against the light a sparkling dark blot. She goes along, softly swaying her figure so delicate upon her
hips so wide. Her sticky silk dress, of a bright pink shade, contrasts with
her shady skin and molds exactly her high waist, her hollow back and pointed
bosom. Her red umbrella, filtering the light, projects onto her
somber face the bleeding makeup it reflects. The weight of her great hair nearly blue pulls back her delicate
head and gives her a triumphal and lazy air. Heavy pendants warble secretly
to her pretty ears. From time to time a seabreeze lifts by one corner her hovering
skirt and shows her gleaming and superb leg; and her foot, like the feet of
marble goddesses Europe seals in its museums, faithfully imprints its form on
the fine sand. For Dorothy is so prodigiously coquettish that the pleasure of
being admired prevails with her over the pride of the freedman, and, though
she is free, she walks shoeless. She goes along, harmoniously, happy to be alive and smiling an
empty smile, as if she perceived afar a mirror reflecting her beauty walking. At the time when the very dogs howl with pain under the biting
sun, what puissant motive makes lazy Dorothy go in this way, beautiful and
cold like bronze? Why has she left her little hut so coquettishly arranged,
whose flowers and mats make so cheaply a perfect boudoir; in which she takes
so much pleasure dressing her hair, with tobacco, fanning herself and seeing
herself in the mirror of her large feather fans, as the sea, slapping the beach
a hundred steps from there, makes to her vague daydream a pulsant and
monotone accompaniment, and the iron pot in which a crab stew with saffron
and rice cooks, sends to her from out in the yard its exciting perfume? Perhaps she has an appointment with some young officer who on
far-off beaches heard his fellows speaking of the celebrated Dorothy.
Certainly she would beg him, the simple creature, to tell her about the Opera
ball, and would ask him if one could go there with bare feet, like the Sunday
dances, where even the old negresses get drunk and mad with joy; and then
again if the beautiful ladies of Paris are all more beautiful than she. Dorothy is admired and cherished by all, and she could be
perfectly happy is she did not have to heap up piaster on piaster to buy back
her little sister who is all of eleven years old, and who is already mature,
and so beautiful! She will doubtless succeed, the good Dorothy: the child’s
master is so greedy, too greedy to understand another beauty than cash! |
Charles Baudelaire