X marks the Spot
An abstruse little film on the war, mirrored in murder over a fortune in tires “frozen” by the Office of Production Management.
The private dick gets the girl and is off to the Army as a lieutenant in G-2.
The Sleeping City
An undercover cop at Bellevue to ferret out the answer to an intern’s murder.
A .38 in the face, the principal basis of Lumet’s Serpico (as Benedek’s Port of New York to Friedkin’s The French Connection, the same beautiful great city).
This is placed in the hands of John Alexander as the detective inspector in charge, Alex Nicol as a victim, Coleen Gray the ward nurse, and Richard Conte out of pre-med and the Medical Corps.
The ending pivots on The Maltese Falcon (dir. Roy Del Ruth or William Dieterle or John Huston) toward The Man with the Golden Arm (dir. Otto Preminger).
“There is little”, wrote Bosley Crowther of the New York Times, “to distinguish it from any thriller film.” Variety, “actually filmed at Bellevue.” Leonard Maltin, “earnest”. TV Guide, “surprisingly intense and disturbing.” Bruce Eder (Rovi), “one of the finest and most troubling films to come out of Universal-International.” Halliwell’s Film Guide, “of modest excellence.”
Godard has described the apprehensivemess felt by one hearing footsteps running toward him in a city, that and a remarkable feint in the general structure are part of Eisinger and Sherman’s opening scene.
Willie and Joe Back at the Front
Mauldin’s dogfaces leave sunny Italy for Stateside business, a service station across the street from a used car lot, respectively.
They’re called up for basic training in Japan, go on leave in Tokyo and bust up a smuggling ring, the goods is explosives.
A work of genius, the doggies throw the stuff back at ‘em unawares.
Samuel Fuller has exactly the same idea in House of Bamboo.
Against All Flags
The great joke very nearly occurred to the New York Times writer, A.W.
That is, Aureng-Zebe’s daughter.
So, the pirate captain who calls herself Spitfire is represented by an alter ego, small and self-possessed, not wearing seven-league boots and a jerkin.
Undercover to spike the guns of the pirate port, that a British man o’war may enter, with lashes on his back, Flynn.
O’Hara of the Shark, Quinn the Scorpion.
to the wedding
Something rather like Frost’s “Love and a Question”, expanded in a crime drama around two poles, one the brutal convict Lezama (cf. Lang’s The Big Heat) making his escape at the great Cleveland railroad station, where not all members of a society wedding are met.
A great performance by Rod Steiger as the double murderer serving two consecutive 99-year sentences.
In exile (separated from his family), Jake (John Wayne) intervenes at the lynching of a Scotsman (Bernard Fox) whose only crime is herding sheep.
In the town of McCandles, whose name is that of Jake (or Jacob), his ranch has been overrun by marauders. They’ve shot and killed a number of men, wounded one of his sons, and kidnapped his eight-year-old grandson. The ransom is one million dollars in $20 bills.
Texas Rangers pursue the gang in REOs and get shot to pieces. Mrs. McCandles (Maureen O’Hara) asks Jake to haul a box full of money down to Mexico and bring the boy back.
Jake’s two other sons (Patrick Wayne and Christopher Mitchum) are fully-grown but immature. They join him on the trek.
Jake’s only companion in exile had been his dog (named Dog). Now he requests an old friend, the Indian Sam Sharpnose (Bruce Cabot) to assist.
The gang’s head man (Richard Boone) orders an exchange at Escadero, an oil-drilling town. After a great deal of agitation (what with desperados behind them, trailing after the money), a final shootout eliminates the gang (as well as Dog and Sharpnose). The boy is recovered, the sons are reconciled to their father, and that’s the end.
It opens, after an overture, exactly like Chisum, with a view of the green valley and river seen from the ranch house.
The overture consists of a magic lantern show under a rapid narration by George Fenneman, describing the civilized world of 1909 (The Edwardians and Einstein, Caruso, Toscanini, the Barrymores, Ziegfeld, President Taft—“300 pounds of pure Republican”—John Jacob Astor, Pavlova, et al., with accompanying photographs ultimately spilling out into The Great Train Robbery).
George Sherman directed John Wayne in the Thirties, also Gene Autry, among others.