The Glimmer Man

The Russian Mafia makes interesting connections in a deal that goes down in one of those opulent downtown Los Angeles hotels gone to seed (the higher-ups occupy one of Frank Lloyd Wright’s best L.A. houses). This sort of construction calls for Úlan, which is Steven Seagal’s specialty, and the direction is game as hell (Wayans searching a corridor passes through a close-up pan which picks him up facing the other way with an idea).